An analysis of koyaanisqatsi by godfrey reggio

Music by Philip Glass.

An analysis of koyaanisqatsi by godfrey reggio

The section shown depicts several tall, shadowed figures standing near a taller figure adorned with a crown. The next image is a close-up of a Saturn V rocket during its launch Apollo The film fades into a shot of a desolate desert landscape. From there, it progresses to footage of various natural phenomena such as waves and clouds.

An analysis of koyaanisqatsi by godfrey reggio

After aerial views of monumental rock formations partly drowned by the artificial Lake Powellwe see a large mining truck causing billows of black dust.

This is followed by shots of power lines in the desert. Following the atomic bomb detonations, the next sequence begins with a shot of sunbathers on a beach, then pans to the San Onofre Nuclear Generating Station in the background.

My favourite film: Koyaanisqatsi | Film | The Guardian

Shots of taxiing United Airlines Boeing aircraft and traffic patterns during rush hour are seen on a freeway and a shot of a large parking lot. This is followed with stock footage of Soviet tanks lined up in rows and a military aircraft, and an aircraft carrier.

Time-lapse photography of shadows of clouds are seen moving across the skyscrapers. Shots of various housing projects in disrepair, and includes footage of the decay and demolition of the Pruitt-Igoe housing project in St. The sequence ends with footage of the destruction of large buildings.

A time-lapse shot of a crowd of people who appear to be waiting in a line. This is followed by shots of people walking along streets in slow motion. The next sequence begins with shots of buildings and a shot of a sunset reflected in the glass of a skyscraper.

The sequence uses time-lapse photography of the activity of modern life. The events captured in this sequence involve people interacting with modern technology. The first shots are traffic patterns as seen from skyscrapers at night.

This is followed by a composite shot of the moon passing behind a skyscraper. The next shots are closer shots of cars on a highway.

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The sun rises over the city and we see people hurrying to work. The film shows at regular speed the operation of machines packaging food.

People are shown sorting mail, sewing jeansmanufacturing televisions and doing other jobs with the use of modern technology.Philip Glass' score for Godfrey Reggio's film Koyaanisqatsi comes from one of his most fertile creative periods, soon after Satyagraha and about five years after Einstein on the Beach, and it contains some of his most immediately appealing music.6/ But it was Koyaanisqatsi, which was finally issued in after several years in the making, that marked the composer’s first great popular success.

Indeed, it could be argued that Koyaanisqatsi, a collaboration with the filmmaker Godfrey Reggio, has proved the most influential mating of cinema and music after Fantasia in Sep 26,  · "Koyaanisqatsi" opens with magnificent images out of nature: great canyons and limitless deserts and a world without man.

Through the use of speeded-up images, clouds climb the sides of mountains and speed across the sky, their shadows painting the landscape. Godfrey Reggio, that we'll immediately get the message.

And the message, I think 3/5. Is seventeen or eighteen years (depending on how you count, we’re not getting into it) enough distance to allow us to start doing some real analysis of the 20 th century?

In putting together Koyaanisqatsi, director Godfrey Reggio set out to begin that process of reckoning.

An analysis of koyaanisqatsi by godfrey reggio

Koyaanisqatsi (English: / k oʊ j ɑː n ɪ s ˈ k ɑː t s iː /), also known as Koyaanisqatsi: Life Out of Balance, is a American experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron leslutinsduphoenix.com by: Philip Glass.

Koyaanisqatsi (English: / k oʊ j ɑː n ɪ s ˈ k ɑː t s iː /), also known as Koyaanisqatsi: Life Out of Balance, is a American experimental film directed by Godfrey Reggio with music composed by Philip Glass and cinematography by Ron leslutinsduphoenix.com by: Philip Glass.

An Essay on "Koyaanisqatsi"